An animated short by Elena Madrid
in development

With every decision young Livia makes, she splits into another version of herself, finding herself in a parallel universe and another color. Livia crosses several life paths at the same time, which presents her with a number of challenges. Life paths separate, cross and sometimes intertwine. Until, on one collision, two of Livia's versions find themselves in a new color and a new parallel universe, but who, on the next daily decision, find themselves back in their previous colorful parallel universe. But this time with a new understanding of their decisions.

An animated short by Guy Oberson and Sophie Delabays
in development
 

The film is about our ambivalent relationship with the wolf. We travel through imaginary spaces and realistic environments. The story first takes us into mythical ripples that generate passions, define the collective unconscious and fuel the dangerous representation of the wolf. A little girl asks her uncle to play the wolf. This invitation to play lets us experience human oscillations between fascination and fear. 

A short documentary by Pierre David Kamoun
in pre-production

VIZAVI follows the emotional wanderings of Ruben, a young Gypsy abandoned at birth. Ruben is torn between his adoptive family, with whom he has lived since childhood, and his biological family, the Lăcătuș, with whom he reconnected a few months ago. The Transylvanian villages of Bogdana and Treznea will be the scene of his introspection and resilience.

An animated short by Samuel Patthey
in development

Dan, a thirty-something exhausted by his daily life, leaves home to hike alone for a week in the Swiss mountains. During this hike, flashbacks to his daily life spontaneously appear. These past crises and conflicts shock and intrigue him. As his pilgrimage progresses, he distances himself from his daily life and assimilates his past flashes. In the end, these visions take him much further than his footsteps...

A feature-length documentary by Laura Cazador
in production

May 1967. Internationalist filmmaker Michèle Firk leaves a letter for her friends “to open just in case”. At the age of 30, she joins the Guatemalan urban guerrilla movement, whose members she met in Havana during the first Tricontinental Conference, an unprecedented project aimed at forming a united anti-colonial and anti-imperialist front in the “Third World”. Michèle Firk never finished the only film she began in Cuba. 60 years later, Laura Cazador responds to these absences and her letter with a film.

A feature-length documentary by Issé Tusevo
in development

I arrived in Switzerland at the age of 4. My first obsessive-compulsive contamination disorders appear, driving me to protect and torment my skin, which I feel is under constant threat from all kinds of soiling. Skin bears the marks of human history and colonial attitudes. In search of my roots in Angola, I seek to understand my identity, lost between two worlds.

A feature fiction by Mario Piredda
in pre-production

Vera, a Romanian woman in her forties, finds herself unemployed, forced to agree to transfer Ana, a young Brazilian prostitute, from one city to another: a seemingly simple task turns into a journey of a lifetime for the two women, through sun-scorched Sardinia.

A short documentary by Liam Erlach and Valentina Zingg
In development

The Guard is a performative portrait of museum guards. A seemingly invisible profession, largely carried out by marginalized people.

A documentary written by Jonathan Ospina

In post-production

A sound recordist from a Colombian city travels to the jungles of the Pacific coast, in search of the sounds of a past that still haunts the present. A personal listening journey where she meets local activists from different generations committed to the preservation of memory, where music and oral traditions act as liminal spaces in which mourning invokes the ghosts of a colonial legacy in the face of the promises of the future.

A short animation by Silvain Monney

In production

In the XIXth century.
A wanderer offers his services to various farms in the region. Lumberjack, charcoal burner, he performs several jobs for the people of the village. Sometimes he is hosted for the night by charitable souls.  Having nothing for himself, he thanks them by offering them cutouts, which are often used as bookmarks for reading the Bible. Hence his nickname which is gradually spreading: the Great of Brands. We do not know that Johann Jakob Hauswirth became a precursor in the art of cutting and that his legacy would greatly influence the artists and traditions of the Pays d'Enhaut.